Showing posts with label Adam Kirsch. Show all posts
Showing posts with label Adam Kirsch. Show all posts

"Hurling words against it"



Sometimes, what you remember best, is that what keeps posing a challenge to your habitual understanding. It can be a scene from real life, a picture, or a passage from a book. Something you would not have told or shared or jotted down, because it never really managed to settle down in precise syntactical thought. But silently it keeps haunting you – an unfinished business of understanding, always popping up again whenever another situation, another sentence seems to evoke the initial perplexity.

So these days, while I’m mutely watching the pitiful spectacle  of politics (local, European, world) – while all I want is to withdraw in contemplation and art,  the nagging sentence that keeps popping up, kindling again and again my wonderment, is “The Promise of Politics”.

Having lived through the darkest times of the 20th century, Hannah Arendt did not withdraw from the world, did not settle in a philosophical misanthropy, but relentlessly analysed the human condition, the origins of totalitarianism, and, amongst others, wrote an introduction to politics “The Promise of Politics”.

I keep reading the book, savouring her philosophical-poetical reflections and I keep marking those sentences which are most philosophical & contemplative, and, in my mind, maybe most at variance with a faith in human politics.  

All thinking activity that is not simply the calculation of means to obtain an intended or willed end, but is concerned with meaning in the most general sense, came to play the role of ‘afterthought’, that is after action had decided and determined reality.” 
a passage which, in my mind, turns into a lament for the loss of reflective thinking (what remains is either calculating thinking or mere opinion).

Or take the following beautiful passage, on the dignity of our words even when we perish. How to circumvent my reflective interpretation of this passage as a wistful consolation for the vanquished, how to see in it a recipe for successful politics via a thoughtful balance between action and speech?
 
Man cannot defend himself against the blows of fate, against the chicanery of the gods, but he can resist them in speech and respond to them, and though the response changes nothing, neither turning ill fortune aside nor prompting good fortune, such words belong to the event as such. If words are of equal rank with the event, if, as is said at the end of Antigone, “great words” answer  and requite “great blows struck from on high”, then what happens is itself something great and worthy of remembrance and fame. Speech in this sense is a form of action, and our downfall can become a deed if we hurl words against it even as we perish. Greek tragedy – its drama, its enacted events – is based on this fundamental conviction.

On the back cover of my copy of “The Promise of Politics” Adam Kirsch writes “By insisting that politics remain a promise rather than a threat, Arendt offers a hope that history has yet to justify”  


Moonlight Serenade (please see note 1 below)

So. A Sunday-morning. Head not too dull after a windy bike-ride. And plenty of serious subjects that would qualify for plenty of fragmented, frivolous posts.

I really really should do a lengthy post on my favorite author, whose writings I mostly do not really understand, but whose books are such a consoling presence in my library (2), and to whom I always return: Walter Benjamin .


Or perhaps I can suffice with a second hand post about an article by Adam Kirsch on Benjamin. I think Kirsch got quite close to why Benjamin’s obscure & hermetic writings are so devoutly loved. They’re loved, because Benjamin’s “vision of language […] expresses so eloquently his longing for meaning” .

“the allure of his thought lies in his imagination of a perfected world, in which objects would be redeemed from their imprisoning silence”.


And don’t we all (well those of us that aren’t astrophysics scientists, or theologians, or even mere non-nonsense civil engineers), so don’t we all long to find meaning in a chaotic reality – and finding meaning through the scarce modes of understanding we have at our disposal: words, images, … . Grasping reality poetically …

And so Kirsch concludes (one of the many sentences in his article I feverishly underlined):

“Ultimately, his strange, beautiful works are best read as fragments (3) of a great poem – the poem of a longing that no world, and Benjamin’s least of all (4) , could possibly satisfy”.

Oh and I should also do a ponderous post on “marginality” and “exile” and what Edward Said (1935-2003 Palestinian intellectual ) and Hannah Arendt (1906-1975 Jewish intellectual) had to say about that.

And then I should definitely do a post to fend off any accusations of name-dropping : I don’t drop names, I recite them , reverently & lovingly. Somehow those names serve like talismans – “reminding me of what I value”, evoking a world of wisdom & wit & beauty where I alas cannot often dwell.


Yes, many posts call out to be written, and yet what’s foremost on my mind now: an image of a still, moon-lit garage-court.

Tonight, getting up and looking out of the window, I was startled by the intense moonlight. So clean, so pervasive a light, projecting sharply delineated shadows. And that garage-court so empty and so very still and aloof. . . so completely self-sufficient, not needing any spectators. (5)




Indispensable notes


(1) You’ll need some patience, but just read on, and in the closing paragraph you’ll be duly rewarded with moonlight
(2) Please allow me to call this collection of ramshackle book-cases of mine “my library”, if only to indulge in visions of noble hushed bourgeois interiors
(3) Ha! Indeed, fragments …. Maybe this phrase is also a source to quote for my blog-title
(4) We all know Benjamin never found an intellectual home, lived in poverty in Paris, has never finished his magnum opus, had to flee the Nazis and, when failing to cross the French-Spanish border, committed suicide “in despair and exhaustion”
(5) I’m cheating, this is not a pic from last night’s moonlit vision – it’s a melting snow man in that same court-yard, two years ago – but the self-sufficient stillness is the same